VProm by Aly James Lab (@KVRAudio Product Listing): VProm is an authentic Linn LM-1 VST which emulate all the character and internal circuitry of the legendary 1st sample based drum machine in History. The Linn LM-1 Drum Computer, invented by Roger Linn in the early 80s: Full Manual and Technical infos The Linn was the killer drum machine in town back in the early 80s. It has been used to. VST PLUGINS FOR FREE Get producing music straight away with free VST plug-ins and samples in KOMPLETE START, taken from our leading production suite, KOMPLETE.Get REAKTOR PLAYER, KONTAKT PLAYER, KOMPLETE KONTROL, free effects VST plug-ins, free synth plug-ins, and sampled instruments to use in your own productions, as much as you want. Feb 01, 2018 Plus I have loads of drum midi files and I can move stuff around until they match the mapping on the VProm. If you do buy it just beware that it takes a lot of days for the download link to come through. It took me 6 days to get mine. You will get it though. It's a great VST. VLinn aka Vprom will be better than any samples since it emulates the original envelopes and free running closed hat etc. It's a killer vst and well worth the small cost level 1.
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VProm is an authentic Linn LM-1 VST which emulate all the character and internal circuitry of the legendary 1st sample based drum machine in History. The Linn LM-1 Drum Computer, invented by Roger Linn in the early 80s:
The Linn was the killer drum machine in town back in the early 80s. It has been used to shape the sound of major acts like: Prince, Phil Collins, Thompson Twins, Stevie Wonder, Gary Numan, Depeche Mode, The Human League, Michael Jackson etc. To this day the unique sound of that machine is highly regarded and only using samples of an LM-1 output cannot reproduce the wide range of sounds this machine can produce and especially the tuning feature and frequency content. The AM6070 DACs and the whole circuitry stands next to the samples characters in that unique sounding team.
Concept
The VProm LM-1 Drum VST provides the closest experience to the real thing because it is not based on samples, instead it accurately models the clocks and counters that reads EPROMs memory feeding the AM6070 DACs to decode the EPROMs data in real-time, models the CEM 3320 filters with tweak-able control over the CV pulses shapes to let more or less transient pass through unfiltered or completely bypass them, special hihat circuitry and VCA providing different hihat sound on each trigger and decay control, separate tuning for all voices with already a wider range without tweaking the electronics...separate outputs for your DAW, velocity handling etc...You will maintain that raw sound at every tune! On top of the cake all voices can be replaced with external EPROM data like on a real machine...Opening up a whole new range of sound, still being processed by the circuitry.
VProm uses a custom C++ core and 3rd party licensed code where nothing fancy was needed.
Version 2.0 now runs on Mac & Windows 32/64-bit Systems and is available as VST2, VST3 and AU format as native 32-bit or 64-bit plugin format.
VProm price is 45.00 €.
VProm Features:
- AM6070 modeled real time DAC decoding: Following the exact datasheet decode table for 8bit companded incoming DATA. The real LM-1 nasty griddy sound at every pitch, like the real thing, forget resampling or tuning samples packs which will always sound dull at lower pitches.
- Hihat DATA looping & VCA: The LM-1 Hihat circuitry was pretty unique, the hihat proms were read constantly in a loop while only a VCA was triggered, for closed hihat the circuitry had the ability to discharge the current through an additional way based on the decay pot setting. This basically makes the hihat sounding different on every hit.
- CEM VCF filters: Unlike the very first produced LM-1 units, later revs had were filtering voices with bass frequency content to minimize the remaining 8-bit noise, using a CEM 3320 VCF configured as a lowpass filter with no resonance. The CV frequency of the VCF was shaped by the circuitry in a way that lets the transients pass through relatively unfiltered. The VProm lets you fine tune the CV pulse or completely bypass the filter, this is useful when a voice is tuned very low or if you want to replace a 'Bass' slot with another EPROM that doesn't require filtering.
- Separate pitch tuning: This is one of the coolest feature of the LM-1, letting you tune any voice to a particular frequency for a wide range of sounds. The EPROM's data were read one byte at the time by a counter which speed was controlled by a relatively stable oscillator, the counters reading speed could then be affected by the external tuning pots in a limited range of + or - 1 octave. This tuning range can be tweaked and the VProm provides a useful wide range of pitch from 1000Hz to 44100Hz and anything in between based on a real mod. (stock was around 12048 - 30303Hz.).
- Separate outputs: The LM-1 featured separate outputs for every voices, so as the VProm. You can choose from ALL to 1 Stereo Channel or Separate Channels for each voice in your DAW.
- Velocity control: You can limit yourself to only two velocity levels or use the full range of MIDI velocity for convenience.
- GUI & automation: The GUI features the original trigger buttons for quick listening and controls over every aspect of the drum machine, most of the parameters like volume and pitch knobs can be MIDI learned to control changes from any external MIDI Hardware.
- Loading external EPROM DATA: The VProm provides the ability to replace all voices with external compatible 8-bit companded EPROM data. Which opens up the machine to LINNDRUM (LM-2), LINN 9000, DMX, DX, DRUMTRACKS etc. samples or even load your own custom made. You can switch between custom loaded and stock EPROMs on the fly. VProm Supports the following type and size EPROMs binaries (.bin):
- 2716 (2048_Bytes) 2K.
- 2732 (4096_Bytes) 4K.
- 2764 (8192_Bytes) 8K.
- 27128 (16384_Bytes) 16K.
- 27256 (32768_Bytes) 32K.
LINN LM-1 Sequencer:
It was not needed to model the LM-1 sequencer because regardless of all the urban legends about it, it is mainly a 48 PPQN (pulse per quarter note) resolution thing. Modern sequencers and DAWs have a finer resolution usually around 960 PPQN or higher, this simply means that the same beat with some swing will not groove exactly the same at 960 or 48 PPQN... An easy thing to do is to export your beat in MIDI a 48 PPQN and import it back. The full technical explanation is available in the VProm manual.
Prom Vst Download Free Version
VProm version 2.0 features some improvement and changes compared to version 1.0
- New MIDI Panel with MIDI learn-able custom trigger maps.
- Change in default MIDI trigger map. (see manual.).
- New panning capability per drum, panning knobs will replace the tuning knob row via a pop-up box selection. (available while clicking on the TUNE label on the GUI. See control panels).
- Improved GUI.
- All EPROMs can now be replaced versus only 7 of them in version 1.
- Easier and faster Custom EPROMs loading and management; no need to specify the size anymore, VProm does it for you. Once loaded, custom EPROMs are saved with the patch.
- The additional CUSTOM voice is renamed to EXTRA and is now loaded by default with a modified delay-less stock LM-1 Snare. (see Manual -> EPROM Loading.).
- Double clicking a control resets to default value on most of the GUI controls.
- ALT+Left click on each Tune Knob in order to set the clock rate precisely by typing in a value. The main info display will now only display the last edited parameter info or value, such as which EPROM .bin is loaded or the knob, slider etc. current value.
- In addition to the original velocity mode, 2 Full velocity modes are now available with linear and now exponential response.
- Incoming MIDI Pitch-Bend Message is now recognized and will act as a Global tuning offset, great for live tweaking the whole set or to transpose up or down.
- VProm now transmit its triggers as MIDI OUT.
- External MIDI learn for controls can now only be attached to MIDI CC messages. (no more Sysx nor aftertouch.).
- Choke ability (stops EXTRA EPROM playing by MIDI note C4).
- Optional X16 oversampled engine for better high harmonics integrity (closer to hardware).
Year / Release Date : 09/02/2018
Version : 2.0.3
Developer : AlyJames Lab
Developer’s site : href.li
Format : VSTi, VST3, AU
Bit depth : 32bit, 64bit
Tablet: there is R2R & HEXWARS
System requirements : Windows XP / Vista / 7, or newer, Snow Leopard (10.6) or higher.
32bit or 64bit Host, VST2.4, VST3 or AudioUnit Host.
Version : 2.0.3
Developer : AlyJames Lab
Developer’s site : href.li
Format : VSTi, VST3, AU
Bit depth : 32bit, 64bit
Tablet: there is R2R & HEXWARS
System requirements : Windows XP / Vista / 7, or newer, Snow Leopard (10.6) or higher.
32bit or 64bit Host, VST2.4, VST3 or AudioUnit Host.
Description : VProm is a genuine Linn LM-1 VST that emulates all the symbols and internal circuits of the legendary drum machine based on the first sample in history. The Linn LM-1 drum module, invented by Roger Linn in the early 1980s
Linn LM-1 was a Drum machine in the early 80’s. It was used to form the sound of key artists such as: Prince, Phil Collins, Thompson Gemini, Stevie Wonder, Gary Numan, Depeche Mode, Michael Jackson, etc. So far, the unique sound of this machine is highly valued and only using samples the LM-1 output can not reproduce the wide range of sounds that this unit can produce, especially the tuning function and frequency content. The AM6070 DACs and the whole circuit stand next to the symbol patterns in this unique sound command.
Linn LM-1 was a Drum machine in the early 80’s. It was used to form the sound of key artists such as: Prince, Phil Collins, Thompson Gemini, Stevie Wonder, Gary Numan, Depeche Mode, Michael Jackson, etc. So far, the unique sound of this machine is highly valued and only using samples the LM-1 output can not reproduce the wide range of sounds that this unit can produce, especially the tuning function and frequency content. The AM6070 DACs and the whole circuit stand next to the symbol patterns in this unique sound command.
for better installation, you must disable the Internet.
New in version
This plugin was previously called VLINN (before version 2.0).
The AudioUnit format still reports the placement of the old name,
and this means that you will find AU under the name VLINN.
————————————————– ————————————————– ————————————————– ————————————————– ——--
In addition to the new features of the cross-platform version of VPROM version 2, there are some improvements and changes compared to version 1
New MIDI panel with MIDI-trained customizable trigger cards
Change the default MIDI Trigger Card (see the manual)
New panning capabilities for each drum, panning knobs will replace the regulator line with a pop-up window (available by clicking on the TUNE label in the graphical interface). See Control Panels)
Improved graphical user interface
Now all EPROMS can be replaced instead of 7 of them in version 1
Simplify and accelerate the download and management of custom EPROMs; You no longer need to specify the size, VPROM does it for you. After downloading, the user EPROMs are saved with a patch
The additional CUSTOM voice is renamed to EXTRA and is now loaded by default with the modified Snare stock (unchanged) (see Manual -> Downloading EPROM)
Double-clicking on the control resets to the default for most GUI controls
ALT + Left-click on each Tune control to accurately set the clock frequency by entering a value. The main information display will only show the last modified information or parameter value, for example, where EPROM .bin is loaded or pen, slider, etc. The current value
In addition to the initial speed mode, there are now 2 full speed modes with linear and now exponential response
The incoming MIDI message Pitch-Bend is now recognized and acts as a global adjustment offset, great for live modification of the entire set or for transferring up or down
VPROM now transmits its triggers as MIDI OUT
An external MIDI control interface can now only connect to MIDI CC messages (no more than Sysx or aftertouch)
The AudioUnit format still reports the placement of the old name,
and this means that you will find AU under the name VLINN.
————————————————– ————————————————– ————————————————– ————————————————– ——--
In addition to the new features of the cross-platform version of VPROM version 2, there are some improvements and changes compared to version 1
New MIDI panel with MIDI-trained customizable trigger cards
Change the default MIDI Trigger Card (see the manual)
New panning capabilities for each drum, panning knobs will replace the regulator line with a pop-up window (available by clicking on the TUNE label in the graphical interface). See Control Panels)
Improved graphical user interface
Now all EPROMS can be replaced instead of 7 of them in version 1
Simplify and accelerate the download and management of custom EPROMs; You no longer need to specify the size, VPROM does it for you. After downloading, the user EPROMs are saved with a patch
The additional CUSTOM voice is renamed to EXTRA and is now loaded by default with the modified Snare stock (unchanged) (see Manual -> Downloading EPROM)
Double-clicking on the control resets to the default for most GUI controls
ALT + Left-click on each Tune control to accurately set the clock frequency by entering a value. The main information display will only show the last modified information or parameter value, for example, where EPROM .bin is loaded or pen, slider, etc. The current value
In addition to the initial speed mode, there are now 2 full speed modes with linear and now exponential response
The incoming MIDI message Pitch-Bend is now recognized and acts as a global adjustment offset, great for live modification of the entire set or for transferring up or down
VPROM now transmits its triggers as MIDI OUT
An external MIDI control interface can now only connect to MIDI CC messages (no more than Sysx or aftertouch)
Features:
Features of VProm:The AM6070 simulated real-time decoding of the DAC: after an accurate decoding table for the data table for 8-bit companded incoming data. The real LM-1 nasty grid sound on every field, like the real thing, forgets to resample or customize the sample packets that will always seem boring at lower steps.
Hihat DATA looping and VCA: Hihat’s LH-1 scheme was pretty unique, the hihat firmware was constantly being read in the loop, while only the VCA was running, for a closed hihat circuit it was able to defuse the current through an additional method based on the bank decay setting. This basically makes the hihat sound different in every hit.
CEM VCF filters: unlike the very first LM-1 units released, the later versions were filtering voices with a bass frequency to minimize the remaining 8-bit noise using the CEM 3320 VCF configured as a low-pass filter without resonance. The frequency of the VCF CV was formed by the circuit in such a way that the transients pass relatively unfiltered. VProm allows you to fine tune the CV pulse or completely bypass the filter, it’s useful when the voice is set very low or if you want to replace the “Bass” slot with another EPROM that does not require filtering.
Separate pitch adjustment: this is one of the coolest features of the LM-1, allowing you to tune any voice to a specific frequency for a wide range of sounds. EPROM data was read by one byte at a time using a counter whose speed was monitored by a relatively stable oscillator, then the speed of reading the counters could depend on external tuning cameras in a limited range of + or – 1 octave. This tuning range can be changed, and VProm provides a useful wide range of steps from 1000 Hz to 44,100 Hz and everything that is between them based on the real mode. (the reserve was about 12048 – 30303 Hz.).
Individual outputs: The LM-1 has separate outputs for each voice, since VProm. For each voice in the DAW, you can select ALL-1 Stereo channels or Individual channels.
Speed control: you can limit yourself to only two levels of speed or use the entire MIDI speed range for convenience.
GUI and automation: the graphical user interface has original trigger buttons for quickly listening and controlling all aspects of the drum machine, most parameters such as volume and pitch controls can be learned by MIDI to control changes from any external MIDI equipment.
Loading external EPROM data: VProm provides the ability to replace all voices with external compatible 8-bit data with combined EPROM data. Which opens the machine for the samples LINNDRUM (LM-2), LINN 9000, DMX, DX, DRUMTRACKS, etc. Or even loads its own order. You can switch between configurable downloadable and spare EPROMs on the fly.
![Vprom Vst Download Free Vprom Vst Download Free](/uploads/1/2/6/1/126142283/916287240.jpg)
2716 (2048_Bytes) 2K.
2732 (4096_Bytes) 4K.
2764 (8192_Bytes) 8K.
27128 (16384_Bytes) 16K.
27256 (32768_Bytes) 32K.
LINN LM-1 Sequencer:
It was not necessary to simulate the LM-1 sequencer, because regardless of all the urban legends about it, it’s basically 48 questions of PPQN (momentum per quarter note). Modern sequencers and DAWs have a finer resolution, usually around 960 PPQN or higher, it simply means that the same bit with some swings will not exactly match 960 or 48 PPQN … It’s easy to do to export your rhythm to MIDI a 48 PPQN and import it back. A full technical explanation is available in the VProm manual.
VProm version 2.0 has some improvements and changes compared to version 1.0
New MIDI panel with MIDI-trained customizable trigger cards.
Change the default MIDI Trigger Card. (see the manual.).
New panning options for each drum, panning knobs will replace the regulator line with a pop-up window. (available by clicking on the TUNE label in the GUI.) See the control panels.
Improved graphical interface.
All EPROMs can now be replaced in comparison with only 7 of them in version 1.
Simplify and accelerate the download and management of custom EPROMs; You no longer need to specify the size, VProm does it for you. After downloading, the custom EPROMs are saved together with the patch.
The additional voice CUSTOM is renamed to EXTRA and is now loaded by default with the modified stock LM-1 Snare. (see the Manual -> Download EPROM.).
Prom Vst Download Free Download
Double-clicking on the control resets to the default value for most GUI controls.ALT + Left-click on each Tune control to accurately set the clock frequency by entering a value. On the main information display only the last changed information or parameter value will be displayed, for example, where EPROM .bin is loaded or the current value of the controller, slider, etc.
In addition to the initial speed mode, 2 full speed modes are now available with a linear and now exponential response.
The incoming MIDI message Pitch-Bend is now recognized and will act as a global adjustment offset, great for live modification of the entire set or for transferring up or down.
Prom Vst Download Free Pc
VProm now transmits its triggers as MIDI OUT.
An external MIDI control interface can now only connect to MIDI CC messages. (no more than Sysx and aftertouch).
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